Our Vision offers a sequence of Circles for a Connective Journey

Images

AERIAL VIEW OF THE CIRCLES

EMERGING FROM BELOW GANO STREET INTO THE PARK, THE EAST SIDE TUNNEL ACTS AS THE STAGE FOR THE PERFORMANCE CIRCLE

THE PLAY CIRCLES ARE BETWEEN THE PERFORMANCE CIRCLE AND THE COMMUNITY CIRCLE

THE COMMUNITY CIRCLE IS THE LARGEST SPACE AND IS OPEN TO MANY ACTIVITIES

THE SHORELINE CIRCLE OFFERS ACCESS TO THE SEEKONK'S ECOLOGY

THE BASCULE CIRCLE LINKS THE SITES INDUSTRIAL PAST AND ECOLOGICAL FUTURE

KAYAK LAUNCHES OFFER A CONNECTION ACROSS THE RIVER

THE TREETOP CIRCLE IS A BOON TO BIRD ENTHUSIASTS AND CREATES ACCESS TO THE THE EAST PROVIDENCE SHORELINE

Description

In addressing this site, the Seekonk River estuary and its environs, this proposal seeks to reconcile the intensity of its industrial heritage with the potential for reclaiming and renewing its rich ecology.

Our proposal begins with furthering the concept of connectivity, a broader elucidation of connectivity between past and present, local ecology and the greater environment, the individual and community. There are several key assets residing within this project area: the abandoned East Side Tunnel, the Bascule Bridge itself, Crook Point and its diverging tracks, the confluence of established biking/walking trails and the tidal estuary of the Seekonk River itself. We see the potential to weave these different elements together to create a broader sequence of inter-connected yet diverse circular public spaces, unique environments hosting a multitude of activities yet connected together by their shared circular geometry.

This break in the bridge's physical connection metaphorically references the historic significance of this place – the very point from which the colonialist Founders of Providence first crossed the Seekonk and met with the Wampanoag and Narraganset. This is a place of great importance requiring care and reflection. The boldest graffiti emblazoned upon the Bascule structure is ‘DECOLONIZATION’, a testament to the need to have this project address the issues of equity and reconciliation. This fundamental issue can be addressed in a meaningful way by bringing together the concerned communities, meaning both the immediate local communities and those communities that have been driven from this place - the displaced indigenous peoples.

We believe that the careful restoration of the estuary shoreline and woodlands, eliminating invasive species and foregrounding indigenous plants and trees would celebrate the richness of this past.  One might better associate our proposed Circles with the rich cultivated clearings bearing in abundance the ‘three sisters’ of the Wampanoag and Narraganset as seen by the first colonialists, the earlier manifestation of community gardens on this site.  Providence as the ‘Creative Capitol’ must mean that creativity deals with not just the visual but the societal issues that confront us at this moment in time. We believe our team can address the physical and aesthetic issues necessary to transform this context and address deeper societal issues which are historically embedded within this site, both distant past and contemporary, to make a place of celebration for all.

Landscape Architect: Inlet
Lighting Design:  Tillotson Design Associates
Architect: Studio Unseen Light